A fully monochromatic runway show with complete refusal of even a pigment of colour can easily look underdone or a little plain or just simply too monotonous. It can feel boring and dull with not even an ounce of colour to brighten the collection. But not Givenchy’s SS16 runway show. If anyone could pull it off, it would be Givenchy. And creative director Riccardo Tisci definitely made sure of that one.
Whilst prints took the form of beautiful lace and stunning embellishments, and white, silver, grey and black appeared to be the continuing favoured tones, it became apparent that a bride and groom were the sole inspiration for Tisci’s work this season.
Straight through the seventies timehop, Gucci ensures us that the bardot top is securely here to stay as models strutted the run way in bandeau styles finished with gathering, enhancing the hourglass feminine silhouette from the shoulders.
Thick, cross over straps make the crop top all the more interesting, whilst the silky satin sash which appears to shape the garment emphasizes the femininity of a bride on her wedding day. Doubled with a knee length tube skirt, again the feminine figure is punctuated, although this time by the cinched in waist which is created.
Effortlessly chic and sophisticated, black and white garments were often paired together, the divergent tones creating drama due to their strong contrast. Trims of lace create delicate hems and edges, stealing the attention from otherwise plain attires, preventing the looks from appearing too monotonous.
The most glamorous of the collection appeared in beautifully embellished gowns. From ombre 20s’ style feathers and fringing to classy dramatic and oversized fur, the models appeared to have stepped right out of Holywood and onto the runway. Sophisticated, slender shapes allow the flamboyant enhancements to take centre stage, dramatising the embellishments.